Doll Factory  

Sophia Olivieri
Jillian Nalty
Alannah Dair
Zoë MacPhail Prineas


Curated by Lucy Brosnan

23.04.2026 - 16.05.2026




From a young age I have bitten my nails. As soon as they grew over the fingertips, I had this compulsion to grind, chew, pull, and rip them back down. I was often disgusted by my inability to have perfectly polished, feminine hands. I have my dad's hands. Too masculine, too short, too chubby for my liking. I held the inability to restrain from the urge to pick myself apart, over and over. Until there was no more to take away, until my cuticles were raw and aching.

Our connection to our bodies is both deeply intimate and individual, yet something we all inhabit. Our bodies are assigned to us, developed in the womb, growing until they begin slowly decaying. Tissue stretches, skin creases over time, fluids oozing out. Reacting to its own internal state as well as its external environment, the body is in a constant state of flux. My fingernails grow back. Often fighting back. One grows, digging into the edges, creating pressure, swelling, and pain. We negotiate with our bodies. The same vessel that provides pleasure facilitates discomfort and pain. I pick and pry, trying to reverse the consequences of my invasive intervention.

Inside the Doll Factory, a production line of tensions unfolds, between masculine and feminine, the interior and exterior, the sensual and the industrial, the organic and the manufactured. This group of artists work through visual and material language to draw us into a heightened awareness of bodily sensation and the shifting environments we inhabit. What emerges is not a stable image of the body or a familiar representation of the human figure. We are met with something stranger, forms that feel familiar and estranged simultaneously, evoking a quiet discomfort that resists easy resolution. Each artist approaches this terrain differently, yet their practices converge through materiality and an engagement with the human form. They suggest bodily form and qualities through surface, texture, and spatial encounter. The body is a mutable site, shaped by social, technological, and psychological forces, while remaining a vessel through which sensation becomes a way of knowing or finding out.

– Lucy Brosnan
           



Schmick Contemporary acknowledges 
the Gadigal People of the Eora Nation upon 
whose unceded lands we live and work.

We pay our respects to elders 
past, present and emerging.

Level 2, 706 George St, Chinatown